Introductory Weaving Workshop

An enjoyable Saturday was spent with Alice Hume at her wonderful Hotwalls Studio in Portsmouth. If you follow my blog, you’ll know that I’ve dabbled with weaving, even exhibited some with TRAC’s Line of Flight and the latest Ryde Sands weaves. But there is no substitute for learning a technique properly with an expert. Alice patiently guided us through the whole process of threading the handloom, weaving the sumac and weaving the pattern. I learnt how to integrate 2 and even 3 colours along the line and how to tie tassels properly.

Alice incorporates copper into her tapestry weaving and uses recycled denim too – I have plenty of that I could experiment with! I also admire her floor loom work – it isn’t just a piece of fabric, it has texture and echoes her tapestry weaving style. People travel from all over the South to Alice’s workshops and I can see why. You can even buy a workshop gift voucher for a friend. I think I will try her Macrame workshop next.

Here’s what I accomplished in a day:

Hume Looms


Textile Tales

Stitch StoryI enjoyed the most inspirational day I’ve had in ages yesterday. Local artist Rebecca Robinson ran her first workshop, Textile Tales, in her new studio at the Depozitory in Ryde. I knew I would be challenged because she had marketed it around the idea of memories and stitch; I live very much in the present and find the idea of memories difficult. I also don’t really work with photographs or vintage materials. However, by the end of the 4 hours I was hooked. I had learnt several new ways of reproducing images that could be incorporated into my work and had really loosened up the creative urge. So much so that, as you can see, I’m blogging again! The image you can see, left, is the unrolling of the work this morning. I’ve pieced things together ready to stitch.

Yesterday evening was spent perusing Cas Holmes’ Stitch Stories and The Found Object I wanted to know more about this technique. The dog had an extra special walk through the fields today as I gathered a few plant samples for monoprinting. I feel the need to incorporate something more of my own into the composition. What fun – here is a selection of the 20 or so monoprints I made this morning. Image 1, left, is the result of the plate, an old OHP sheet, inked up with the plant laid on top. A piece of paper was laid over both and rubbed firmly. Image 2, the plant is peeled off the plate and placed on the fabric. A clean OHP sheet was laid on top and was rubbed over firmly and the plant was peeled off. Image 3, is the result of a piece of cloth laid over the plate after the plant has been peeled off. 3 very different prints from one hard working plant.


Over the summer, I enjoyed 4 days of a sewing bee, led by Hannah Woodford here on the Isle of Wight; me another lady and some school girls, a diverse group which Hannah accommodated beautifully! The first day was spent tearing up magazines to create a book of ideas for our designs. I knew before I started that I wanted to make a skirt, but I was delighted to be encouraged to incorporate my stitching skills into the design. Appliqué and inlay appliqué gave my skirt a unique character and with Hannah’s help the skirt fits beautifully. Not bad for a first attempt! I also won the sewing bee and was presented with a beautiful heart pin-cushion, much to the annoyance of the school girls I think. They’d spent the time transforming old denim jackets and skirts into really up-market pieces.


Yesterday, I decided I was going to test what I had learnt and attempt another. I found a great YouTube video on how to make a pattern for an a-line skirt. It’s all cut out and ready to go. Next step is to purchase the special hidden zipper foot for my sewing machine. I found a good video about how to sew an invisible zipper too. Watch this space perhaps to see another skirt or maybe some more how to videos!




Proddy Rag Rug

I’ve been looking for a rag rug workshop for some time and finally found one at The Spring in Havant. Led by Penelope Davis, we had a gentle introduction to the technique of proddy rag rugging. I came away with a dauntingly large piece of rug canvas with just a small, central circle of tufted rags. Will I ever finish it? Well, I’ve decided to take inspiration from Terry Frost for TRAC’s September exhibition and I am aiming to work the rug with that in mind. I’ve also promised Izi at the People’s Gallery in Ryde, that I will run a proddy rug workshop there on September 24th. I’m looking forward to it – a new venture, and it will make me finish this rug!

Capture Rug

Seed Pods

real seed podI recently enjoyed a day of felt making at Ventnor Botanic Gardens.  The day was led by Gillian Chapman who was as inspiring as ever.  She brought along her collection of real seed pods and felt creations to help us consider our projects.  I decided to work on two small seed pods which were felted around a small circular template in the same way as you would make a small bowl.  The red pod opening was made by cutting a circle in order to remove the template.  Scrunching and pulling it resulted in the final pod.  There is a nice little ‘nipple’ for want of a better word on the bottom too!  The opening of the orange pod was the result of a happy accident.  I had incorporated bubble wrap circles in the hope of creating cut-away layers, however, I hadn’t thought Seed podsthrough the placing very well and the bubble wrap ended up being just where I wanted to cut.  I think the result is really good, even though it wasn’t as I expected!  At the end of the day, some friends and I enjoyed the tranquillity of the gardens while taking photographs of more seed pods for another day.

Cabbage, part 1

First of the workshops for TRAC members was a day of felt making with Gillian Chapman.  Other members focused on felting a piece of art, but I decided to use the time to make some flat felt to turn into a cabbage.  You can see some of the art works on the TRAC Facebook page.  I thought about whether to make the piece in 3D or whether to make cabbage leaves and join them together, but this is for a piece of embroidery so I decided to use fabric manipulation techniques to achieve what I wanted.  Here you can see my inspiration and the result.  There is more work to do, so watch this space.

Organic cabbage

Organic cabbage

Felt cabbage

Felt cabbage